The other day, I finally assembled the cables to properly connect the stupid Cockpit v2. With that, Riemann's World was formally done, so I could just dismantle all of the setups, especially the big one, Leopold.
I still opted to have another go, and what a go it was. Pretty much no drums, which meant I could use voices 1-4 for melody, and so I did. I also had a pretty large delay space (Mimeophon), and two loops of melodies running in DistingEX.
This often happens when I play. I just can't bring myself to do minimal acid with three drum voices and one pitched one.
Differently to how I often do this for published tracks, this is an unedited one. Meaning it has some lengths, but also reflects the spirit of the performance.
It also contains the best theme I've yet gotten from random/semi-random thingies.
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018
A collaborative effort between the Connecticut drone duo and the Philadelphia-based songwriter, steeped in the ritualistic avant-garde. Bandcamp New & Notable Oct 26, 2022
Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time. Bandcamp New & Notable Jul 16, 2022
This stunning two-part work from classical guitarist Kevin Daniel Cahill is suffusive ambient that aims for transcendence. Bandcamp New & Notable Jul 18, 2023